REVIEWS

J. Kempkens, Online-Merker 

Tamara Haskin sang a glowing and full Aida. Her dramatic soprano voice had perfectly pitched high notes, a seamless, warm middle register and a whopping deep lower register. A strong woman who is equal to the father as well as the beloved is capable of going from high delicate pianos to sudden outbursts of passion.

HG. Helbig, Das Opernglas 

Tamara Haskin in the title role excelled with a voluminous, earthy lower register, a solid middle voice and a radiant high notes. 

B. Kempen, Das Opernglas 

Tamara Haskin voiced the Queen with a blooming, velvety mid-range, sharp-sweet high notes, and an earthy low register. 

Peter Schütze, Wochen Kurier 

The greatest tension in the audience occurred where the concentration remained entirely on the singer, for example, in the great aria of Elisabetta, which notes Tamara Haskin’s ravishingly beautiful singing - the star of the evening. 

Karsten Mark, Kulture-Kino-Köln 

Tamara Haskin as Elisabetta, shows a remarkable versatility and tenderness in her lyrico-spinto voice, coupled with strong, dramatic outbursts and enormous vocal reserve in the depths of the voice.

Monika Willer, WAZ Hagen 

Tamara Haskin sings as the lone guest, pious Elisabetta with an enchanting soprano voice that is well balanced in all registers, girlish purity in the high notes and womanly soft in the middle layer.

Online Musik Magazin 

Tamara Haskin sang a very pleasing Elisabetta especially in her great final aria, Tu che le vanita.

T. Hilgemeier, Zur Zeit der Großindustriellen 

Tamara Haskin's Elisabetta is equipped with voluminous depth and a well-balanced register.

Wolfgang Motzkau-Valeton, Bühne Nienburg 

Tamara Haskin as Aida was the musical highlight of the evening. The greatness of her voice dominates throughout her register with the most delicate sensibility of jubilant joy. The mood swings and changes in register, she designed with colored delicacy.

Inge Lore Tauz, Der Neue Merker 

Tamara Haskin triumphed as Aida. With a great voice she skillfully moved though her vocal register, all the way to the bright top high notes. The difficult Nile Aria was filled with excellent vocal technique. The voice was warm, clear and aligned in a perfect legato. She also displayed an acting talent filled with intensive, deep expression in the most emotional scenes. Her dark skin color gave an additional effect of natural and highest credibility of the Ethiopian incarnation of Aida.

S. Mauss, Das Opernglas 

The dark-stained voluminous voice of Tamara Haskin moves clearly and freely throughout the opera… with always fascinating pianissimos at "Numi pieta."

Christian Schütte, Opernnetz.de – Germany

High in the public appeal was Tamara Haskin as AIDA. Visually, a very attractive choice for the role, creating great vocal moments in her beautiful soprano timbre.

Andreas Bode, Hannoverliche Allgemeine - 2010

Tamara Haskin captured the sovereignty of AIDA….with her strongest, most poignant moments at the pianissimos.

Horst Schinzel, Luebeck Kultur Magazin - 2010

“Tamara Haskin is an attractive young singer with an unusually broad repertoire for her age. The voluminous soprano sings expressively with fine nuances, leaving rave reviews wherever she goes.”