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June 20, 2014

AIDA (Aida)

Staatstheater am Gärtnerplatz

 

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AIDA - Staatstheater am Gärtnerplatz

Tamara Haskin sang a glowing and full Aida. Her dramatic soprano voice had perfectly pitched high notes, a seamless, warm middle register and a whopping deep lower register. A strong woman who is equal to the father as well as the beloved is capable of going from high delicate pianos to sudden outbursts of passion.

J. Kempkens, Online-Merker 2014

 

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AIDA - Staatstheater am Gärtnerplatz

J. Kempkens, Online-Merker 2014

Tamara Haskin sang a glowing and full Aida. Her dramatic soprano voice had perfectly pitched high notes, a seamless, warm middle register and a whopping deep lower register. A strong woman who is equal to the father as well as the beloved is capable of going from high delicate pianos to sudden outbursts of passion.

AIDA - Theater Hof

G. Helbig, Das Opernglas 2013

Tamara Haskin in the title role excelled with a voluminous, earthy lower register, a solid middle voice and a radiant high notes.

DON CARLO - Theater Hagen

B. Kempen, Das Opernglas - 2013

Tamara Haskin voiced the Queen with a blooming, velvety mid-range, sharp-sweet high notes, and an earthy low register.

DON CARLO - Theater Hagen

Peter Schütze, Wochen Kurier - 2013

The greatest tension in the audience occurred where the concentration remained entirely on the singer, for example, in the great aria of Elisabetta, which notes Tamara Haskin’s ravishingly beautiful singing - the star of the evening.

DON CARLO - Theater Hagen

Karsten Mark, Kulture-Kino-Köln - 2013

Tamara Haskin as Elisabetta, shows a remarkable versatility and tenderness in her lyrico-spinto voice, coupled with strong, dramatic outbursts and enormous vocal reserve in the depths of the voice.

DON CARLO - Theater Hagen

Monika Willer, WAZ Hagen - 2013

Tamara Haskin sings as the lone guest, pious Elisabetta with an enchanting soprano voice that is well balanced in all registers, girlish purity in the high notes and womanly soft in the middle layer.

DON CARLO - Theater Hagen

Online Musik Magazin - 2012

Tamara Haskin sang a very pleasing Elisabetta especially in her great final aria, Tu che le vanita.

DON CARLO - Theater Hagen

T. Hilgemeier, Zur Zeit der Großindustriellen - 2012

Tamara Haskin's Elisabetta is equipped with voluminous depth and a well-balanced register.

AIDA - Theater für Niedersachsen Hildesheim

Wolfgang Motzkau-Valeton, Bühne Nienburg - 2012

Tamara Haskin as Aida was the musical highlight of the evening. The greatness of her voice dominates throughout her register with the most delicate sensibility of jubilant joy. The mood swings and changes in register, she designed with colored delicacy.

AIDA - Theater für Niedersachsen Hildesheim

Inge Lore Tauz, Der Neue Merker - 2011

Tamara Haskin triumphed as Aida. With a great voice she skillfully moved though her vocal register, all the way to the bright top high notes. The difficult Nile Aria was filled with excellent vocal technique. The voice was warm, clear and aligned in a perfect legato. She also displayed an acting talent filled with intensive, deep expression in the most emotional scenes. Her dark skin color gave an additional effect of natural and highest credibility of the Ethiopian incarnation of Aida.

AIDA - Theater für Niedersachsen Hildesheim

S. Mauss, Das Opernglas - 2011

The dark-stained voluminous voice of Tamara Haskin moves clearly and freely throughout the opera… with always fascinating pianissimos at "Numi pieta."

AIDA - Theater für Niedersachsen Hildesheim

Christian Schütte, Opernnetz.de – Germany, 2010

High in the public appeal was Tamara Haskin as AIDA. Visually, a very attractive choice for the role, creating great vocal moments in her beautiful soprano timbre.

AIDA - Theater für Niedersachsen Hildesheim

Andreas Bode, Hannoverliche Allgemeine - 2010

Tamara Haskin captured the sovereignty of AIDA….with her strongest, most poignant moments at the pianissimos.

Luebecker Sommeroperette Festival

Horst Schinzel, Luebeck Kultur Magazin - 2010

“Tamara Haskin is an attractive young singer with an unusually broad repertoire for her age. The voluminous soprano sings expressively with fine nuances, leaving rave reviews wherever she goes.”

Crescendo Summer Music Festival - Sarospatak, Hungary

Péterfi Nagy László, The Opera Portal - 2009

“The professional press gave the highest level of appreciation to the outstanding performance of American soprano, Tamara Haskin.”

Strange Fruit, The Opera - New York City Opera

Anthony Tommasini, The New York Times - 2009

"Tamara Haskin gave a standout performance!"

Rossini Stabat Mater, Beethoven's Ninth Symphony

Nino Pantano, The Italian Voice, NYC - 2008

"Tamara Haskin followed the high tessitura lines with ease and precision. One marveled at her floating tones and vocal reserve, plus a distinctly beautiful quality to her voice."

World Premiere of "Reflections" by Tania Leon

The New York Amsterdam News - 2006

"A beautifully executed, riveting performance by Tamara Haskin.”

York: The Voice of Freedom

Andrew Violette, The New Music Connoisseur - 2001

"York’s wife Mary was voiced wonderfully well by soprano Tamara Haskin, who sported a warm yet powerful tone quality, excellent stage instincts, and first-class diction."

York: The Voice of Freedom

The Playhouse - 2001

"Tamara Haskin delivered an extraordinary performance as Mary. Her transition from a young, vibrant lover to an old and sickly woman is terrific."

Altamura/Enrico Caruso International Voice Competition

Oliver Schwambach, The Gibraltar Chronicle - 2000

"American Soprano, Tamara Haskin ‘offers a musico/dramatic performance of the highest calibre."

 

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